olive, gold, and wine

a personal history of old objects, light and dark, poems and prose, an entire exhale, fingernail clippings, life in one thousand colorful sparks.
Julio Cortázar, Self-Portrait, Paris, 1975   [+]  [also EGyB]© Fonds Aurora Bernárdez, Coll CGAI Creo que sé mirar, si es que algo sé, y que todo mirar rezuma falsedad, porque es lo que nos arroja más afuera de nosotros mismos, sin la menor garantía […]— Julio Cortázar, in ‘Las Babas del Diablo’ [Las armas secretas (1959)] I think I know how to look, if it’s something I know, and also that every looking oozes with mendacity, because it’s that which expels us furthest outside ourselves, without the least garantee […] from photosapiens chagalov: Now this is nicely framed.

Julio Cortázar, Self-Portrait, Paris, 1975   [+]  [also EGyB]
© Fonds Aurora Bernárdez, Coll CGAI

Creo que sé mirar, si es que algo sé, y que todo mirar rezuma falsedad, porque es lo que nos arroja más afuera de nosotros mismos, sin la menor garantía […]
— Julio Cortázar, in ‘Las Babas del Diablo’ [Las armas secretas (1959)]

I think I know how to look, if it’s something I know, and also that every looking oozes with mendacity, because it’s that which expels us furthest outside ourselves, without the least garantee […]

from photosapiens

chagalov:

Now this is nicely framed.

(via beyondneptune)

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